Theater folk gasped when they learned that star Beanie Feldstein would leave the titular role earlier than expected and be replaced by Lea Michele. This war causes turmoil onstage and off for Bombshell-a struggle that’s apparently been mirrored by the actual Broadway revival of Funny Girl. Smash’s central storyline is the battle for the role of Marilyn Monroe, as fought between seasoned Broadway ensemble member Ivy Lynn (Hilty) and Iowa-born newcomer Karen Cartwright (McPhee).
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Living in 2022 feels a little like enduring the show’s jarring second-season retooling-a shocking outcome for anyone who assumed this incredibly niche series would fade from memory once the curtain fell.Īll This Funny Girl Drama.
(Naturally, he nabs the role.) Much of the cast of Smash, including Katharine McPhee, Megan Hilty, Debra Messing, and Christian Borle, has reunited over the years-in 2015 for a sold-out Bombshell concert and in 2020 for a COVID-era Zoom.Įven now, a decade after its premiere, Smash is curiously relevant. On the final season of Girls, a show that also premiered in 2012 and featured a pilot scene with our heroine’s mother played by Becky Ann Baker, Andrew Rannells’s Elijah sings “Let Me Be Your Star” to audition for a fictional White Men Can’t Jump Broadway musical. Yet despite its relatively short and largely reviled run, Smash has managed to tap-dance its way into the zeitgeist again and again. But the show soon devolved into a soapy cautionary tale both onscreen and off, and ultimately, it lasted just two infamous seasons.
NBC’s musical series, which centered on the creation of a fictional Broadway show about Marilyn Monroe, started as a promising pilot that premiered after that year’s Super Bowl. It’s been 10 years since the leading ladies of Smash implored us to let them be our stars.
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